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Hironori Otsuka, in his book 'Wado-Ryu
Karate' wrote:
"It is obvious that these kata
must be trained and practised sufficiently, but one must not be 'stuck' in
them. One must withdraw from the kata to produce forms with no limits or
else it becomes useless. It is important to alter the form of the trained
kata without hesitation to produce countless other forms of training."
The Chief Instructors of the
Academy of Traditional Fighting Arts, Kancho
Nenad and Shihan Dejan Djurdjevic have spent the last 15 years researching
evasion and footwork with a view to distilling every type of footwork or
evasion inherent in each kata. When confronted with how to teach and
practise these techniques they realized that it would be beneficial to
"package" them in a way that was fluid and easy to remember. This in turn
lead to the development of the embu. The embu form part of the ongoing
research by the Kancho and Shihan.
There is an embu for each kata and
each embu comprises approximately 18 to 26 moves and has been designed so
as to be capable of being practised solo or with a partner.
While the embu are derived from
existing kata they necessarily depart from their structure, retaining only
the essence. This is consistent with the theory that new training drills
must have an added dimension or else they are simply a pointless variation
of an existing sequence.
Unlike the "old" 2 person forms
of Gekisai dai ichi and -ni kata practised in many Goju schools today, the
embu are "circular", ie. there is only one sequence of moves, the attacker
starts midway through the sequence so as to partner a person who has
started at the beginning of the sequence. This enables the embu to be
easily remembered and practised, whereas it is difficult and time
consuming to remember 2 different sequences, one for attacker and one for
defender.
The other notable characteristic
is that the embu do not attempt to repeat the kata exactly. Rather they
package the tenshin or taisabaki with the relevant kata techniques. It is
pointless to simply repeat the kata with a small variation. Accordingly
while the embu look a little like the kata when practised solo (see the
Seiyunchin embu), the techniques are performed with the bunkai footwork
and sometimes in a slightly different order. As 2 person forms, the embu
look more like actual fighting than kata.
The more junior the kata, the
more the 2 person embu will look "formal" or stylised. This is because the kata bunkai is, necessarily, more basic.
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